The Director
© 2026 Middle East Music Ensemble
Photos by Daliah Zarour Contact Us
Wanees Zarour
www.waneeszarour.com
wbz@uchicago.edu

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Wanees Zarour is an award-winning Palestinian-American composer, arranger, and multi-instrumentalist steeped in the traditions of maqam and jazz. His compositional voice transcends borders, blending Arabic, jazz, classical, and global music traditions into a bold and cohesive musical language. Whether composing for full orchestra or leading small ensembles, Zarour creates music that is both deeply rooted and forward-looking, driven by rhythmic intensity, lyrical improvisation, and narrative depth.

Born into a family of musicians, Zarour began his classical violin training at age 7 at the Edward Said National Conservatory of Music where he rapidly advanced through the repertoire. He later immersed himself in the maqam system, the Arabic violin tradition, and Middle Eastern rhythms and forms, studying with master musicians and expanding his instrumental fluency to include oud, percussion, and especially the buzuq, on which he is considered a virtuoso.

Zarour serves as Director of the Middle East Music Ensemble at the University of Chicago, which under his leadership has grown into an 85-piece orchestra performing Turkish, Arab, and Persian music for sold-out audiences. He arranges and transcribes all the ensemble’s repertoire and curates each concert to foster cultural dialogue and collective artistry. He is also Co-Director of the Chicago Immigrant Orchestra which celebrates the musical identities of Chicago’s immigrant communities.

In 2018, Zarour founded East Loop, a septet dedicated to exploring the intersections between jazz and maqam. He recently released their latest full length album titled “Silwan”, offering a suite of compositions themed around a deeply personal reflection on identity, resilience, and belonging.

Zarour’s contributions to Chicago’s musical life have been widely recognized. He received the Chicago Esteemed Artist Award in 2021 and the prestigious 3Arts Award in 2024 for his work as a composer, educator, and cultural leader. He continues to build artistic spaces that center inclusivity, expression, and collaboration—always with a commitment to music as a vehicle for shared human experience.